Coromandel and the Safety Philosophy of New Zealand

Valleys, hills and sea on the Coromandel Peninsula

Whenever I visit New Zealand, that most friendly and mild-mannered of countries, I’m reminded that Australia’s way of doing things is far from universal.This was borne in upon me while Davey and I unwisely tried to fit a visit to the Coromandel Peninsula into a single day. 

At Hot Water Beach, people borrow shovels so that they can dig themselves a bathing pool. The water bubbles up from the hot springs beneath; bathers have to be careful that their bath doesn’t become too hot!

We had foolishly assumed that two hours would suffice to reach the Coromandel Peninsula, that we would then do a spot of leisurely sight-seeing, and that afterwards we’d drive back to Auckland in our hire car by 6pm. As it turned out, we made it back to our hotel by 11pm, drained by our efforts, thrilled by the beautiful landscapes that we had witnessed in regrettably fast motion, and fascinated by the endearing foibles of our Kiwi neighbours.

David surveys the rocky architecture of Cathedral Cove

One aspect of New Zealand that continually strikes me is the laid-back approach  to safety concerns that prevails here. Australian authorities seem to be far more anxious, not to say finicky, in this regard. In many Australian national parks, for instance, walks are carefully graded for difficulty, you are reminded of how many people have died in the vicinity, and you may be refused entrance if even a potential future danger looms. 

The Kiwi style is far more nonchalant. The authorities here warn you lightly of the dangers, but then let you go ahead and endanger yourself if you feel like it. So it was that, after a long and challenging walk to Cathedral Cove that required more fitness and flexibility than I had anticipated, we noticed a sign: “No stopping in the archway. Rocks fall from the ceiling.” The message was that walking through the archway was fine, but you shouldn’t linger unduly.

The magnificent arch at Cathedral Cove

The landscape feature in question was a stunning natural stone vault of surpassing beauty; despite the warning, everyone walked through the arch with the utmost unconcern and without haste. In fact, the area was teeming with happy swimmers, people with spades, mothers carrying their babies, and a family carrying three dogs. It all seemed well worth the possible risks, but nevertheless, I could imagine that the Australian authorities would have fenced it off to protect people from their death-defying happiness.

We admit that there is a risk – but you can minimise it.

David did all the driving through landscapes that were rather like the mountain stages of the Tour de France: hairpin bends, steep cliffs, wide valleys and sweeping panoramas over rolling hills. The area was formed through volcanic activity (which I could of course assert for the whole country); you get the feeling that the grassy knolls were once ancient volcanic bubbles, now clothed with velvety grass.

Shades of green and blue…

At one point there was a sign on one of the cliff faces: “Caution: Falling debris for the next 7 kilometres” —yet another example of the insouciance of the authorities.

I also find the one-lane bridges strangely appealing, because they point to a similar way of thinking: people can be trusted to act sensibly, take turns, give way, and be considerate to others. There were dozens of these little one-lane bridges along our route. Sometimes you have to give way; sometimes the signs give you right of way. You would think that this could be a recipe for disaster, but it works — and imagine the money that it has saved. It’s a model lesson for living in a society, for people have to slow down and let others go first.

All in all, we discovered the startling beauty and variety of the Coromandel Peninsula in record time, adding it half unconsciously to all the other impossibly beautiful places that we have seen on these islands. More sensible travellers would devote at least three days to this region. No one should let themselves be put off by those gentle warnings of debris falling on their cars or rocks dropping on their heads. The wild and carefree beauty justifies the risks.

Roslyn  🖤🤍

A monolith near the beach at Cathedral Cove

Links

Flushed and exhausted after the long walk (and aghast at the thought of climbing back up those steep steps)
Sunset scene with sheep, taken by David

Back in Friendly Auckland

Upcycled Blanket Kiwi Soft Toys

Travelling is a privilege and a pure unadulterated joy, but it also brings to mind unbidden the fact that you’ve aged since last time.

Two years ago in Auckland, Davey and I walked everywhere without a second thought. His knee was pain-free and my hip had never known bursitis. This time, our walking stamina is more doubtful. We find ourselves looking at buses with yearning.

David in an inner city arcade

So it was that on our first day here, after a long wander up and down the hilly streets of Parnell, we began to walk towards the city centre along what we hoped was the appropriate bus route. I loped clumsily after a likely bus and missed it, but fortunately, at the following light, the woman bus driver opened the door and asked us where we wanted to go, invited us to climb in, then dropped us off near Queen St, at a location that wasn’t even supposed to be a bus stop.

Kiwis. I know I’m generalising, but they do it again and again. They often show common decency and a relaxed attitude towards silly rules when that means they can help other people out.

Did our thoughtful bus driver sense that my cankles, induced by blood pressure medication, were throbbing?

No, I believe it was just simple human kindness.

Two friendly women protesting for the rights of Palestinians: one of them has been doing this every day for more than a year.
Coffee, Kiwi style

After visiting a bewildering number of shops and cafés as well as the Central Library in the drizzly inner city, we finally reached the Auckland Art Gallery on our second day. The tiny party who had signed up for our tour was escorted by three volunteer guides. I always experience some degree of Louvre factor when I go to art galleries: so much to see and take in, so little time. Fortunately, our guides kindly led us through several displays, above all The Māori Portraits Exhibition, explaining some fascinating and distressing details to educate us about Māori culture and dispossession in the 19th century. 

Karaitiana Te Rango, 1885

There are depressing similarities between the colonial history of New Zealand and that of Australia. Many European settlers in both countries embraced the narrative that if the Indigenous people were not “using” the land in a fashion that matched the agricultural presumptions of the invaders, then it could be wrested from them. The New Zealand colonial government, after passing the New Zealand Settlements Act in 1863, confiscated vast tracts of land from the Māori people, who were accused of rebelling against the Crown. Time and again, the provisions of the Treaty of Waitangi were ignored: promises were broken, rights desecrated, sacred sites destroyed.

There was a belief in the late 19th century, according to our guides, that the Māori people were dying out. Clearly, this was utterly false. Apparently, however, this was one reason for the painting of so many portraits, as shown in this online gallery of Gottfried Lindauer’s work.

I’d like to think that actually Gottfried Lindauer, the great Czech portrait painter, simply loved painting the beautiful, unforgettable faces of these proud people. 

I get the feeling that these were not people who lacked stamina. Or had cankles.

With admiration for their long and ongoing struggle,

Roslyn  🖤🤍

Tuhoto Ariki, 1894

Accommodation, Links and Sources

Land confiscation law passed:

URL: https://nzhistory.govt.nz/land-confiscation-law-passed, (Manatū Taonga — Ministry for Culture and Heritage), updated 2-Jul-2025

Māori land loss, 1860-2000:

URL: https://nzhistory.govt.nz/media/interactive/maori-land-1860-2000, (Manatū Taonga — Ministry for Culture and Heritage), updated 21-Apr-2021

Heta Te Haara, 1896